Book Series in Media & Film Studies

In Focus: Routledge Film Readers

New & Published Titles:

cover

Hollywood and War, The Film Reader

Edited by J. David Slocum

Discussing such classic films as Sergeant York, Air Force, and All Quiet on the Western Front, as well as more modern blockbusters like Apocalypse Now

read more

2006 | Paperback: 978-0-415-36780-6 (Routledge)

more information about Hollywood and War, The Film Reader

cover

Color, The Film Reader

Edited by Angela Dalle Vacche, Brian Price

This is the first anthology devoted exclusively to the subject of colour in film and its history, production and technology.

Set out in thematic sections, the…

read more

2006 | Paperback: 978-0-415-32442-7 (Routledge)

more information about Color, The Film Reader

cover

Transnational Cinema, The Film Reader

Edited by Elizabeth Ezra, Terry RowdenSteven CohamIna Rae Hark

Transnational Cinema: The Film Reader provides an overview of the key concepts and debates within the developing field of transnational cinema.

Bringing together seminal essays…

read more

2005 | Paperback: 978-0-415-37158-2 (Routledge)

more information about Transnational Cinema, The Film Reader

cover

Technology and Culture, The Film Reader

Edited by Andrew Utterson

Technology and Culture: The Film Reader brings together key theoretical texts from more than a century of writing on film and technology. It begins by…

read more

2005 | Paperback: 978-0-415-31985-0 (Routledge)

more information about Technology and Culture, The Film Reader

cover

Queer Cinema, The Film Reader

Edited by Harry M. Benshoff, Sean Griffin

Queer Cinema, The Film Reader examines the relationship between cinematic representations of sexuality and their social, historical, and industrial contexts.

Clearly divided into an introductory…

read more

2004 | Paperback: 978-0-415-31987-4 (Routledge)

more information about Queer Cinema, The Film Reader

cover

Movie Acting, The Film Reader

Edited by Pamela Robertson Wojcik

Movie Acting: The Film Reader explores one of the most central but often overlooked aspects of cinema: film acting.

Combining classic and recent essays, it…

read more

2004 | Paperback: 978-0-415-31025-3 (Routledge)

more information about Movie Acting, The Film Reader

cover

Stars, The Film Reader

Edited by Lucy Fischer, Marcia Landy

From two distinguished academics, Stars: The Film Reader brings together key writings and new perspectives on stars and stardom in cinema including coverage of stars…

read more

2004 | Paperback: 978-0-415-27893-5 (Routledge)

more information about Stars, The Film Reader

cover

Movie Music, The Film Reader

Edited by Kay Dickinson

Bringing together material from the areas of documentary, fandom and animation, Movie Music, the Film Reader comprises an important first collection of writings about film…

read more

2002 | Paperback: 978-0-415-28160-7 (Routledge)

more information about Movie Music, The Film Reader

cover

Hollywood Comedians, The Film Reader

Edited by Frank Krutnik

Hollywood Comedians, The Film Reader brings together key writings on one of the most consistently popular genres of Hollywood cinema. Despite the cult reputations enjoyed…

read more

2002 | Paperback: 978-0-415-23552-5 (Routledge)

more information about Hollywood Comedians, The Film Reader

cover

Experimental Cinema, The Film Reader

Edited by Gwendolyn Audrey Foster, Wheeler Winston-Dixon

This volume provides a comprehensive guide to the long tradition of American avant-garde cinema, from its origins in the 1920s to the work of contemporary…

read more

2002 | Paperback: 978-0-415-27787-7 (Routledge)

more information about Experimental Cinema, The Film Reader

Series Details:

Series Editors: Steven Cohen, Syracuse University, USA and Ina Rae Hark, University of South Carolina, USA

The In Focus series of readers is a comprehensive resource for students on film and cinema studies courses. The series explores the innovations of film studies while highlighting the vital connection of debates to other academic fields and to studies of other media. The readers bring together key articles on a major topic in film studies, from marketing to Hollywood comedy, identifying the central issues, exploring how and why scholars have approached it in specific ways, and tracing continuities of thought among scholars.

Each reader opens with an introductory essay setting the debates in their academic context, explaining the topic's historical and theoretical importance, and surveying and critiquing its development in film studies.