<?xml version='1.0' encoding='ISO-8859-1'?>
<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0">
<channel>
<title>Routledge Media Studies Arena - New Titles</title>
<description>The Routledge Media Studies Arena provides professionals, researchers, instructors and students in Media &amp; Film Studies with information on the range of books and journals by Routledge and the Taylor &amp; Francis, as well as links to various online resources, including societies and associations, upcoming conferences, and support groups</description>
<link>http://www.routledgemediastudies.com</link>
<language>en-gb</language>
<copyright>Copyright (C) Routledge 2008</copyright>
<managingEditor>emarketing@taylorandfrancis.com</managingEditor>
<webMaster>emarketing@taylorandfrancis.com</webMaster>
<ttl>720</ttl>
<item>
<title>Psyche and the Arts</title>
<pubDate>Mon, 12 May 2008 12:12:12 GMT</pubDate>
<description><![CDATA[<p><strong>Psyche and the Arts</strong></p>
<p><em>Jungian Approaches to Music, Architecture, Literature, Painting and Film</em></p>
	<p class="authors">
		Edited by <strong>Susan   Rowland</strong>
	</p>
<p>Does art connect the individual psyche to history and culture?</p>
<p><em>Psyche and the Arts</em> challenges existing ideas about the relationship between Jung and art, and offers exciting new dimensions to key issues such as the role of image in popular culture, and the division of psyche and matter in art form. </p>
<p>Divided into three sections - <em>getting into art, challenging the critical space</em> and <em>interpreting art in the world</em> - the text shows how Jungian ideas can work with the arts to illuminate both psychological theory and aesthetic response. <em>Psyche and the Arts</em> offers new critical visions of literature, film, music, architecture and painting, as something alive in the experience of creators and audiences challenging previous Jungian criticism. This approach demonstrates Jung’s own belief that art is a healing response to collective cultural norms.</p>
<p>This diverse yet focused collection from international contributors invites the reader to seek personal and cultural value in the arts, and will be essential reading for Jungian analysts, trainees and those more generally interested in the arts. </p>
<p>ISBN: 9780415438353</p>
<p>Published May 12 2008 by Routledge.</p>
]]></description>
<guid isPermaLink="true">http://www.routledgemediastudies.com/books/Psyche-and-the-Arts-isbn9780415438353</guid>
<source url="http://www.routledgemediastudies.com/rssfeedus.asp">Routledge Media Studies Arena - New Titles</source>
<dc:publisher>Routledge</dc:publisher>
<dc:identifier scheme="ISBN">9780415438353</dc:identifier>
<category>book:isbn=9780415438353</category>
<category>book:title="Psyche and the Arts"</category>
<category>book:subtitle="Jungian Approaches to Music, Architecture, Literature, Painting and Film"</category>
<category>book:publisher="Routledge"</category>
</item>
<item>
<title>Arab, Muslim, Woman</title>
<pubDate>Fri, 09 May 2008 09:09:09 GMT</pubDate>
<description><![CDATA[<p><strong>Arab, Muslim, Woman</strong></p>
<p><em>Voice and Vision in Postcolonial Literature and Film</em></p>
	<p class="authors">
		By <strong>Lindsey   Moore</strong>
	</p>
<p>Given a long history of representation by others, what themes and techniques do Arab Muslim women writers, filmmakers and visual artists foreground in their presentation of postcolonial experience? </p>
<p>Lindsey Moore’s groundbreaking book demonstrates ways in which women appropriate textual and visual modes of representation, often in cross-fertilizing ways, in challenges to Orientalist/colonialist, nationalist, Islamist, and ‘multicultural’ paradigms. She provides an accessible but theoretically-informed analysis by foregrounding tropes of vision, visibility and voice; post-nationalist melancholia and mother/daughter narratives; transformations of ‘homes and harems’; and border crossings in time, space, language, and media. In doing so, Moore moves beyond notions of speaking or looking ‘back’ to encompass a diverse feminist poetics and politics and to emphasize ethical forms of representation and reception.</p>
<p><em>Aran, Muslim, Woman </em>is distinctive in the eclectic body of work that it brings together. Discussing Algeria, Egypt, Jordan, Lebanon, Morocco, the Palestinian territories, and Tunisia, as well as postcolonial Europe, Moore argues for better integration of Arab Muslim contexts in the postcolonial canon. In a book for readers interested in women's studies, history, literature, and visual media, we encounter work by Assia Djebar, Mona Hatoum, Fatima Mernissi, Ahlam Mosteghanemi, Nawal el Saadawi, Leila Sebbar, Zineb Sedira, Ahdaf Soueif, Moufida Tlatli, Fadwa Tuqan, and many other women. </p>
<p>ISBN: 9780415404167</p>
<p>Published May 09 2008 by Routledge.</p>
]]></description>
<guid isPermaLink="true">http://www.routledgemediastudies.com/books/Arab-Muslim-Woman-isbn9780415404167</guid>
<source url="http://www.routledgemediastudies.com/rssfeedus.asp">Routledge Media Studies Arena - New Titles</source>
<dc:publisher>Routledge</dc:publisher>
<dc:identifier scheme="ISBN">9780415404167</dc:identifier>
<category>book:isbn=9780415404167</category>
<category>book:title="Arab, Muslim, Woman"</category>
<category>book:subtitle="Voice and Vision in Postcolonial Literature and Film"</category>
<category>book:publisher="Routledge"</category>
</item>
<item>
<title>Mediated Interpersonal Communication</title>
<pubDate>Thu, 08 May 2008 08:08:08 GMT</pubDate>
<description><![CDATA[<p><strong>Mediated Interpersonal Communication</strong></p>
	<p class="authors">
		Edited by <strong>Elly A. Konijn</strong>, <strong>Sonja   Utz</strong>, <strong>Martin   Tanis</strong>, <strong>Susan B. Barnes</strong>
	</p>
Mediated interpersonal communication is one of the most dynamic areas in communication studies, reflecting how individuals utilize technology more and more often in their personal interactions. Organizations also rely increasingly on mediated interaction for their communications. Responding to this evolution in communication, this collection explores how existing and new personal communication technologies facilitate and change interpersonal interactions. Chapters offer in-depth examinations of mediated interpersonal communication in various contexts and applications. Contributions come from well-known scholars based around the world, reflecting the strong international interest and work in the area. 
<p>ISBN: 9780805863031</p>
<p>Published May 08 2008 by Lawrence Erlbaum Associates.</p>
]]></description>
<guid isPermaLink="true">http://www.routledgemediastudies.com/books/Mediated-Interpersonal-Communication-isbn9780805863031</guid>
<source url="http://www.routledgemediastudies.com/rssfeedus.asp">Routledge Media Studies Arena - New Titles</source>
<dc:publisher>Lawrence Erlbaum Associates</dc:publisher>
<dc:identifier scheme="ISBN">9780805863031</dc:identifier>
<category>book:isbn=9780805863031</category>
<category>book:title="Mediated Interpersonal Communication"</category>
<category>book:publisher="Lawrence Erlbaum Associates"</category>
</item>
<item>
<title>Magazine Production</title>
<pubDate>Fri, 02 May 2008 02:02:02 GMT</pubDate>
<description><![CDATA[<p><strong>Magazine Production</strong></p>
	<p class="authors">
		By <strong>JASON   WHITTAKER</strong>
	</p>
<p><em>Magazine Production</em> is a guide to the practical processes of taking a magazine from initial idea to final print, and is aimed at those who wish to produce a title as part of their studies or for distribution on a small scale. It gives readers an overview of the essential elements to take into consideration when creating a magazine, including legal issues, the relation between editorial and design, and preparation for print. </p>
<p><em>Magazine Production</em> explains the business of magazines in the UK, Europe and North America, and the roles of marketing, publishing and advertising in establishing a successful title. With information on professional bodies such as the Periodical Publishers Association, this book will provide readers with a clear understanding of what is needed to succeed in a career in magazines. </p>
<p>ISBN: 9780415435192</p>
<p>Published May 02 2008 by Routledge.</p>
]]></description>
<guid isPermaLink="true">http://www.routledgemediastudies.com/books/Magazine-Production-isbn9780415435192</guid>
<source url="http://www.routledgemediastudies.com/rssfeedus.asp">Routledge Media Studies Arena - New Titles</source>
<dc:publisher>Routledge</dc:publisher>
<dc:identifier scheme="ISBN">9780415435192</dc:identifier>
<category>book:isbn=9780415435192</category>
<category>book:title="Magazine Production"</category>
<category>book:publisher="Routledge"</category>
</item>
<item>
<title>Handbook of Public Communication of Science and Technology</title>
<pubDate>Wed, 30 Apr 2008 30:30:30 GMT</pubDate>
<description><![CDATA[<p><strong>Handbook of Public Communication of Science and Technology</strong></p>
	<p class="authors">
		Edited by <strong>Massimiano   Bucchi</strong>, <strong>Brian   Trench</strong>
	</p>
<p>Comprehensive yet accessible, this key <em>Handbook</em> provides an up-to-date overview of the fast growing and increasingly important area of ‘public communication of science and technology’, from both research and practical perspectives. As well as introducing the main issues, arenas and professional perspectives involved, it presents the findings of earlier research and the conclusions previously drawn. Unlike most existing books on this topic, this unique volume couples an overview of the practical problems faced by practitioners with a thorough review of relevant literature and research. </p>

<p>The practical handbook format ensures it is a student-friendly resource, but its breadth of scope and impressive contributors means that it is also ideal for practitioners and professionals working in the field. Combining the contributions of different disciplines (media and journalism studies, sociology and history of science), the perspectives of different geographical and cultural contexts, and by selecting key contributions from appropriate and well-respected authors, this original text provides an interdisciplinary as well as a global approach to public communication of science and technology. </p>
<p>ISBN: 9780415386173</p>
<p>Published April 30 2008 by Routledge.</p>
]]></description>
<guid isPermaLink="true">http://www.routledgemediastudies.com/books/Handbook-of-Public-Communication-of-Science-and-Technology-isbn9780415386173</guid>
<source url="http://www.routledgemediastudies.com/rssfeedus.asp">Routledge Media Studies Arena - New Titles</source>
<dc:publisher>Routledge</dc:publisher>
<dc:identifier scheme="ISBN">9780415386173</dc:identifier>
<category>book:isbn=9780415386173</category>
<category>book:title="Handbook of Public Communication of Science and Technology"</category>
<category>book:publisher="Routledge"</category>
</item>
<item>
<title>It&#39;s Not TV</title>
<pubDate>Mon, 14 Apr 2008 14:14:14 GMT</pubDate>
<description><![CDATA[<p><strong>It&#39;s Not TV</strong></p>
<p><em>Watching HBO in the Post-Television Era</em></p>
	<p class="authors">
		Edited by <strong>Marc   Leverette</strong>, <strong>Brian L. Ott</strong>, <strong>Cara   Louise Buckley</strong>
	</p>
<p>Since first going on the air in 1972, HBO has continually attempted to redefine television as we know it. Today, pay television (and HBO in particular) is positioned as an alternative to network offerings, consistently regarded as the premier site for what has come to be called "quality television."</p>

<p>This collection of new essays by an international group of media scholars argues that HBO, as part of the leading edge of television, is at the center of television studies’ interests in market positioning, style, content, technology, and political economy. The contributors focus on pioneering areas of analysis and new critical approaches in television studies today, highlighting unique aspects of the "HBO effect" to explore new perspectives on contemporary television from radical changes in technology to dramatic shifts in viewing habits.</p>
<p><em>It’s Not TV</em> provides fresh insights into the "post-television network" by examining HBO’s phenomenally popular and pioneering shows, including <em>The Sopranos</em>, <em>The Wire</em>, <em>Six Feet Under</em>, <em>Sex and the City</em> as well as its failed series, such as <em>K Street</em> and <em>The Comeback</em>. The contributors also explore the production process itself and the creation of a brand commodity, along with HBO’s place as a market leader and technological innovator.</p>

<p><strong>Contributors: </strong>Kim Akass, Cara Louise Buckley, Rhiannon Bury, Joanna L. Di Mattia, Blake D. Ethridge, Tony Kelso, Marc Leverette, David Marc, Janet McCabe, Conor McGrath, Shawn McIntosh, Brian L. Ott, Avi Santo, Lisa Williamson</p>
<p><strong>Foreword by Toby Miller</strong></p>

<p><strong>Marc Leverette</strong> is Assistant Professor of Media Studies at Colorado State University. He is author of <em>Professional Wrestling, the Myth, the Mat, and American Popular Culture</em> and co-editor of <em>Zombie Culture: Autopsies of the Living Dead</em> and <em>Oh My God, They Deconstructed <U>South Park</U>! Those Bastards!</em></p>
<p><strong>Brian L. Ott </strong>is Associate Professor of Media Studies at Colorado State University. He is author of <em>The Small Screen: How Television Equips Us to Live in the Information Age</em>.</p>
<p><strong>Cara Louise Buckley </strong>is a lecturer at Emerson College.</p>
<p>ISBN: 9780415960373</p>
<p>Published April 14 2008 by Routledge.</p>
]]></description>
<guid isPermaLink="true">http://www.routledgemediastudies.com/books/Its-Not-TV-isbn9780415960373</guid>
<source url="http://www.routledgemediastudies.com/rssfeedus.asp">Routledge Media Studies Arena - New Titles</source>
<dc:publisher>Routledge</dc:publisher>
<dc:identifier scheme="ISBN">9780415960373</dc:identifier>
<category>book:isbn=9780415960373</category>
<category>book:title="It&#39;s Not TV"</category>
<category>book:subtitle="Watching HBO in the Post-Television Era"</category>
<category>book:publisher="Routledge"</category>
</item>
<item>
<title>Tamil Cinema</title>
<pubDate>Thu, 03 Apr 2008 03:03:03 GMT</pubDate>
<description><![CDATA[<p><strong>Tamil Cinema</strong></p>
<p><em>The Cultural Politics of India&#39;s other Film Industry</em></p>
	<p class="authors">
		Edited by <strong>Selvaraj   Velayutham</strong>
	</p>
<p>Hitherto, the academic study of Indian cinema has focused primarily on Bollywood, despite the fact that the Tamil film industry, based in southern India, has overtaken Bollywood in terms of annual output. This book examines critically the cultural and cinematic representations in Tamil cinema. It outlines its history and distinctive characteristics, and proceeds to consider a number of important themes such as gender, religion, class, caste, fandom, cinematic genre, the politics of identity and diaspora. Throughout, the book cogently links the analysis to wider social, political and cultural phenomena in Tamil and Indian society. Overall, it is an exciting and original contribution to an under-studied field, also facilitating a fresh consideration of the existing body of scholarship on Indian cinema.</p>
<p>ISBN: 9780415396806</p>
<p>Published April 03 2008 by Routledge.</p>
]]></description>
<guid isPermaLink="true">http://www.routledgemediastudies.com/books/Tamil-Cinema-isbn9780415396806</guid>
<source url="http://www.routledgemediastudies.com/rssfeedus.asp">Routledge Media Studies Arena - New Titles</source>
<dc:publisher>Routledge</dc:publisher>
<dc:identifier scheme="ISBN">9780415396806</dc:identifier>
<category>book:isbn=9780415396806</category>
<category>book:title="Tamil Cinema"</category>
<category>book:subtitle="The Cultural Politics of India&#39;s other Film Industry"</category>
<category>book:publisher="Routledge"</category>
</item>
<item>
<title>Emerging Perspectives in Health Communicaiton</title>
<pubDate>Tue, 01 Apr 2008 01:01:01 GMT</pubDate>
<description><![CDATA[<p><strong>Emerging Perspectives in Health Communicaiton</strong></p>
<p><em>Meaning, Culture, and Power</em></p>
	<p class="authors">
		By <strong>Heather   Zoller</strong>, <strong>Mohan J. Dutta</strong>
	</p>
<p>This volume provides the theoretical, methodological, and praxis-driven issues in research on interpretive, critical, and cultural approaches to health communication. It includes an international collection of contributors, and highlights non-traditional (non-Western) perspectives on health communication.</p>
<p>ISBN: 9780805861952</p>
<p>Published April 01 2008 by Lawrence Erlbaum Associates.</p>
]]></description>
<guid isPermaLink="true">http://www.routledgemediastudies.com/books/Emerging-Perspectives-in-Health-Communicaiton-isbn9780805861952</guid>
<source url="http://www.routledgemediastudies.com/rssfeedus.asp">Routledge Media Studies Arena - New Titles</source>
<dc:publisher>Lawrence Erlbaum Associates</dc:publisher>
<dc:identifier scheme="ISBN">9780805861952</dc:identifier>
<category>book:isbn=9780805861952</category>
<category>book:title="Emerging Perspectives in Health Communicaiton"</category>
<category>book:subtitle="Meaning, Culture, and Power"</category>
<category>book:publisher="Lawrence Erlbaum Associates"</category>
</item>
<item>
<title>Fifty Key British Films</title>
<pubDate>Sun, 30 Mar 2008 30:30:30 GMT</pubDate>
<description><![CDATA[<p><strong>Fifty Key British Films</strong></p>
	<p class="authors">
		Edited by <strong>John   White</strong>, <strong>Sarah   Barrow</strong>
	</p>
<p>In <em>Fifty Key British Films</em>, Britain's best known films such as Clockwork Orange, The Full Monty and Goldfinger are scrutinised for their outstanding ability to articulate the issues of the time. This is essential reading for anyone interested in quality, cult film. </p>
<p>ISBN: 9780415433297</p>
<p>Published March 30 2008 by Routledge.</p>
]]></description>
<guid isPermaLink="true">http://www.routledgemediastudies.com/books/Fifty-Key-British-Films-isbn9780415433297</guid>
<source url="http://www.routledgemediastudies.com/rssfeedus.asp">Routledge Media Studies Arena - New Titles</source>
<dc:publisher>Routledge</dc:publisher>
<dc:identifier scheme="ISBN">9780415433297</dc:identifier>
<category>book:isbn=9780415433297</category>
<category>book:title="Fifty Key British Films"</category>
<category>book:publisher="Routledge"</category>
</item>
<item>
<title>Reconstructing the Past</title>
<pubDate>Wed, 26 Mar 2008 26:26:26 GMT</pubDate>
<description><![CDATA[<p><strong>Reconstructing the Past</strong></p>
<p><em>History in the Mass Media 1890&#150;2005</em></p>
	<p class="authors">
		Edited by <strong>Sian   Nicholas</strong>, <strong>Tom   O&#39;Malley</strong>, <strong>Kevin   Williams</strong>
	</p>
Bringing together a team of history and media researchers from across Britain and Europe, this volume provides readers with a themed discussion of the range and variety of the media’s engagement with history, and a close study of the relationship between media, history and national identity. 
<p>ISBN: 9780415425315</p>
<p>Published March 26 2008 by Routledge.</p>
]]></description>
<guid isPermaLink="true">http://www.routledgemediastudies.com/books/Reconstructing-the-Past-isbn9780415425315</guid>
<source url="http://www.routledgemediastudies.com/rssfeedus.asp">Routledge Media Studies Arena - New Titles</source>
<dc:publisher>Routledge</dc:publisher>
<dc:identifier scheme="ISBN">9780415425315</dc:identifier>
<category>book:isbn=9780415425315</category>
<category>book:title="Reconstructing the Past"</category>
<category>book:subtitle="History in the Mass Media 1890&#150;2005"</category>
<category>book:publisher="Routledge"</category>
</item>
</channel>
</rss>
